Beastie wrote:

I agree with you Beastie - to all the DMB haters out there... take a second and really listen to the words in this song and maybe you will begin to understand why there are people that really love him. Then take a chance and see them live, you might just change your opinion!

joemama wrote:


amen to that!

I thought I have been away for about ten minutes...is the same DMB song?

My Gawd this SUCKS! I cannot stand this dude's voice. It sounds like rambling finger nails on a chalk board! over and over! AAAAAAAAHHHHHHHHHHHH!

M A K E I T S T O P !!!!!!!!!!!!!!!!!!

tg3k wrote:


LOL!!:

I think if you were to look up caterwauling in the dictionary, you'd see ol' Dave's picture.

Gotta agree. Think I'll take this opportunity to go "enjoy" a chat with my boss. :-)

who invited kenny g?

In general, I like most stuff from DMB, but based on this song, I think if you were to look up caterwauling in the dictionary, you'd see ol' Dave's picture right there next to it.

Gotta say, though, that the majority of the instrumental parts in this are well-played.

Self-indulgent annoying crap. How did they get away with it???

A good example of why live music should only be heard live.

Ferret wrote:

Can't back your regurg play, but otherwise agree - give it a rest!

Is this their Freebird?
or Inna-gadda-divita

um, i can probably stand about 20 seconds of the song, then it gets repetitive.

Way to friggin long! Makes me want to barf barf barf.

:puke: :puke: :tapedshut: :ziplip:

I only wish the song were longer! Great stuff!!!

GaryG wrote:


Actually John McLAughlin is one of my favourite artists. DMB bot too large in that their fame exploded to big for their musical style. I have seen them in a 1500 ampitheatre and ina 80K stadium. Much more suited to small arenas and this jamming styole rather than the top 40 radio that sadly the frat brothers have brought it to. The DMB prior to 95 is amazing shite. Once the frat boys got a hold of it its gone down hill, such a shame.

I knew that if this thing went on long enough, that little rubber-band guitar would show up.

Tarindel wrote:

Down to negative numbers yet?

Just awful.

dittos

ok...this has been going on for a bit too long...it's just too much. I love this sort of thing in a live setting, but it's not radio material. In my humble opinion

Every minute this song continues to play, I am going to lower it's rating by 1.

Anyone notice that his voice is not just bad, but without personality?

I mean Dylan doesn't have a coloratura voice, but it does have weight.

DM's voice is bad, and forgettable. :puke:

Given the choice of listening to the Bay City Rollers or DMB - I would take the first in an instant every time. Listening to them would make me grin and possibly laugh, listening to DMB just pisses me off.

- Riff

I have agree with many comments here - but I just can't help but just always listen to the percussion and say holyshit.

You know where you've heard that reed instrument before?

KENNY G!

{...make it stop....}

I like the jazzy sound of this one, but ultimately, I know it's going to end up making me feel like I do about most DMB songs: they have just 2 or 3 musicians too many. I want to like these guys, and feel like it's the type of music I should like but end up feeling like I'm stuck in a musical high-congestion freeway.

Two words for this guy. PO SER.

what song has the most elaborative comments on it? this one's got to be right up there.

This song and artist have certainly grown on me, quite a bit.

Complex but still catchy and accessible. When you get into it, the song isn't "too long" IMO, though that probably has been a lot easier for those who were present at the concert

Unlike most popmusic it's got lots of dynamics.

steeler wrote:

Boy, am I glad it's not just me. You couldn't have put it better.
I bought 'Crash' when it came out and for the life of me, still cannot understand it's appeal. I played it over and over but I just didn't get it (and still don't).

could this guy pleeaaaase wrap it up now?