slowhand (NC) | | Posted: May 08, 2009 - 09:24 | |
With moonie this was the best live band that I've seen. And the absolute loudest.
|
|
Papernapkin (Mountain View, CA) | | Posted: May 08, 2009 - 09:24 | |
It's the chorus the same as they were singing in Whoville in The Grinch?
|
|
(former member) (hotel in Las Vegas) | | Posted: May 08, 2009 - 09:23 | |
|
jools (Brighton UK) | | Posted: May 08, 2009 - 09:22 | |
Woke up and thought i was watching CSI....Aww, I SOO miss Grissom......
|
|
(former member) (hotel in Las Vegas) | | Posted: Apr 06, 2009 - 19:54 | |
I remember when this came out like it was yesterday... love it...
|
|
Shimmer (Bethesda, MD) | | Posted: Mar 06, 2009 - 07:24 | |
holborne wrote:Again, here's a song where I just can't get my head around why anyone likes it. It's just beyond my ken — it's got a dreadful vocal; a stupid, annoying chorus that sounds like a bunch of loons during the late mating season; and some phoned-in instrumental solos. Could someone point out anything worthy about it? I'm interested to hear why this song has received such a hearty chorus of hosannas since 1979 or so, and I sure can't figure it out just by listening. Here's one reason this song is historically noteworthy: It proved that synthesizers had a place in rock music. I can't think of a real rock song before this one that had prominent synths. (Except maybe their own Baba O'Reilly.) |
|
toterola (Further) | | Posted: Mar 06, 2009 - 07:23 | |
This song is great for several reasons, not the least of which being that it was the last of the "Keith Sessions". But the best thing about it has to be the repeated lyric "who the f*ck are you" that makes it past the censors! Gotta love it!  |
|
mrgus
| | Posted: Mar 06, 2009 - 07:19 | |
|
Jungle_Jim (Brighton UK) | | Posted: Feb 02, 2009 - 17:55 | |
The last outing for one of the greatest ever bands - the original Who line-up. Is there a drum machine doing a handclap through the track - maybe Keith was a bit eratic by this stage!
|
|
holborne (New York) | | Posted: Jan 12, 2009 - 14:16 | |
inindian wrote: Again? Arrogant twat! Why should anybody need to justify why they like any song? You like it or not. That's enough.
Uh, I was asking a sincere question about why people might like a song in which I myself hear nothing of value, not asking them to "justify" why they liked it. See, unlike you, I'm curious about the world around me and in this case, am interested in hearing about why people might like something I don't. And I was obviously addressing people with a brain — a set that doesn't seem to include you. So, you know, fuck off, bitch.. |
|
inindian (Sea of joy) | | Posted: Jan 02, 2009 - 02:37 | |
holborne wrote:Again, here's a song where I just can't get my head around why anyone likes it. It's just beyond my ken — it's got a dreadful vocal; a stupid, annoying chorus that sounds like a bunch of loons during the late mating season; and some phoned-in instrumental solos. Could someone point out anything worthy about it? I'm interested to hear why this song has received such a hearty chorus of hosannas since 1979 or so, and I sure can't figure it out just by listening. Again? Arrogant twat! Why should anybody need to justify why they like any song? You like it or not. That's enough. |
|
ronniegirl (Middle of New Jersey) | | Posted: Dec 01, 2008 - 12:01 | |
mperry wrote:Hearing this, I am always reminded of Daltrey running in place during this entire song (save the acoustic break). What stamina, and a great singer.
The tour was 79/80 with a new band opening for them - The Pretenders. I think they ended up doing well. ;)
Just thelm last month (and a bunch of times since 80) and he still never stops moving. Not the HIGH MARCH of years ago, but he is buff and in motion still, at 64!!! |
|
holborne (New York) | | Posted: Dec 01, 2008 - 11:58 | |
Again, here's a song where I just can't get my head around why anyone likes it. It's just beyond my ken — it's got a dreadful vocal; a stupid, annoying chorus that sounds like a bunch of loons during the late mating season; and some phoned-in instrumental solos. Could someone point out anything worthy about it? I'm interested to hear why this song has received such a hearty chorus of hosannas since 1979 or so, and I sure can't figure it out just by listening. |
|
hedgie (Pleasantville) | | Posted: Sep 29, 2008 - 11:22 | |
nuggler wrote:Ironic that the chair Keith Moon is sitting in says NOT TO BE TAKEN AWAY. This was his last album.
his dress implies that it is "horse" that he is sitting on and should not be taken away |
|
cosmiclint (Vancouver BC) | | Posted: Sep 29, 2008 - 11:21 | |
Cynaera wrote:Since the FCC has decided that it is the new Moral Majority, the very best songs are edited because radio stations are in fear of hefty fines for violations. This means (for those of you who don't listen to radio anymore because of CD players, iPods, etc.) that songs aired on FM radio still have to be edited for content. The "F-Bomb" has to be edited out, as do things like "Ho," "drugs," and "shit." The system is better (for now, anyway) in Canada. If the "f-bomb" is used in a non-sexual way, as it is in this song, it's fine. I think that makes sense. |
|
Cynaera (South of Neanderthal) | | Posted: Jun 26, 2008 - 17:27 | |
Okay, I'm not gonna read other comments, because I'm just frickin' GRATEFUL to be hearing the uncensored version of this song!!!! Since the FCC has decided that it is the new Moral Majority, the very best songs are edited because radio stations are in fear of hefty fines for violations.
This means (for those of you who don't listen to radio anymore because of CD players, iPods, etc.) that songs aired on FM radio still have to be edited for content. The "F-Bomb" has to be edited out, as do things like "Ho," "drugs," and "shit."
Normally, I wouldn't care about this, but some of my favorite songs have been hatcheted ("Lawyers, Guns and Money" by Warren Zevon and the afore-played "Who Are You?" by The Who, to name a couple) and I fear that people won't get to hear the unadulterated versions of the really good stuff because they're at the mercy of a vigilante organization that has the power to censor music.
We have a local radio station called Coyote FM. I know the former program manager, I miss him, and I hate what Coyote has become as a result of his departure. But - to their credit, the station makes the edits of certain "objectionable" words very sloppy - it's obvious that something was there but isn't anymore, and hopefully, that alone will incite people to buy the CD and listen to the real deal.
Got brains?
|
|
buddyweiser (San Sombrèro) | | Posted: Jan 21, 2008 - 08:12 | |
|
fredriley (Nottingham, UK) | | Posted: Jan 21, 2008 - 08:12 | |
This is like being at a football ('soccer' to youse across the Pond) match: "'Oo are ya? 'Oo are ya?". To which the ritual reply is "We're the {insert nickname of team}". Sure sounds better than this reheated dated Who number - 2 from the Nottingham jury.
|
|
Frater_Kork (Uppsala, Sweden) | | Posted: Jan 21, 2008 - 08:11 | |
Sounds like early Kiss, sans the hard rock.
|
|
Zep (Hear hear!) | | Posted: Dec 21, 2007 - 08:29 | |
healyf52 wrote:These guys were bad-ass.
Yes. And then this was released.
|
|
SchoepTone (Duke City) | | Posted: Dec 20, 2007 - 21:17 | |
nuggler wrote:Ironic that the chair Keith Moon is sitting in says NOT TO BE TAKEN AWAY. This was his last album.
I heard that Keith sat backwards on the chair to hide his oversized beer gut. |
|
ronniegirl (Middle of New Jersey) | | Posted: Dec 20, 2007 - 21:11 | |
Roger sings it so great! What a voice! And the Who is the best anyway!
|
|
Hannio (Austin, TX) | | Posted: Nov 19, 2007 - 11:31 | |
sunny_day wrote:Duran Duran is better. Who? |
|
crinky (New England) | | Posted: Nov 19, 2007 - 11:17 | |
healyf52 wrote:These guys were bad-ass.
...several years before this album came out. |
|
healyf52 (Lower Manhattan) | | Posted: Nov 19, 2007 - 11:10 | |
|
skybreakers (Amsterdam, Holland) | | Posted: Oct 19, 2007 - 02:32 | |
repetative and boring. If they weren't The Who, who would care?
|
|
CoYoT51 (Reims, France) | | Posted: Oct 19, 2007 - 02:27 | |
|
On_The_Beach (Vancouver, Canada) | | Posted: Sep 18, 2007 - 16:32 | |
Before Pete was pimping his songs out to anyone with a 6-pack of beer, this song was used to good effect in a Nicolas Roeg movie called "Bad Timing; A Sensual Obsession", circa 1980. Check it out if you like movies that are a little more challenging than Pirates/Shrek/Spiderman et al.
|
|
rtkmusic (SoCal) | | Posted: Sep 17, 2007 - 16:16 | |
If you get a chance, listen to this in the context it was originally intended for - as part of Lighthouse!!!
|
|
marmelock (Frankfurt, Germany, Home of the EAGLES!) | | Posted: Aug 17, 2007 - 06:35 | |
sunny_day wrote:Duran Duran is better.
...you must be kidding, this is a joke, right?
LONG LIVE ROCK! |
|