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Artist:Claude Debussy [ more ]
Song:Jardins sous la pluie
Album:Debussy: Piano Works (Pascal Rogé) [ info ]
Released:1903
Last Played:May 17, 2013 - 05:41
Avg. Rating:8.2  (Total Ratings: 468)
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Ratings Dist:
1 votes: 3 (0.64%)2 votes: 6 (1.3%)3 votes: 12 (2.6%)4 votes: 7 (1.5%)5 votes: 8 (1.7%)6 votes: 15 (3.2%)7 votes: 54 (12%)8 votes: 111 (24%)9 votes: 165 (35%)10 votes: 87 (19%)
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125 comments for this song:spacerLog in above to post your comment

ch83575
Posted: May 17, 2013 - 06:10 

 fredriley wrote:

Because the more modern the classical music, the less constrained by musical conventions it is, though that's a very broad brush generalisation. So Mozart had to compose within very strict conventions, as did Beethoven but less so. Move on to Shostakovich, say, and conventions went out of the window. Arguably, the less need to conform to conventions, the greater the room for expressionism, though many take the view that composing within conventions (12-bar blues, say) allows you to be more expressive. For sure, Beethoven was pretty damn expressive. I hold no view on that being pretty much an ignoramus in such matters.

19th and 20th century classical music is highly expressive, though how much that's down to lack of convention, and how much down to artistic fashions (IIRC Debussy was contemporary with Impressionists in painting, though please correct me if I'm wrong), is difficult to say.



 
Could it perhaps be more akin to technological advancement than a lifting of conventions?  In the beginning there were forms and styles that developed through the generations that composers knew made good sounding music, so they wrote within those forms.  Then, as that grew dull an imaginative person -- say a Bach, Mozart, Beethoven, Berlioz, etc. -- would come along and introduce something new that pushed the boundaries of the form but also sounded good.  The next generation could operate within a wider range of conventions and push the boundaries again.  The trick here is that I like to imagine that Bach would enjoy Shostakovich -- at least Beethoven, Shostakovich might be too unfamiliar to sound good at all -- but he simply couldn't imagine it from his position in time.

This is just like technological advancement.  Would Watt have preferred to invent a V8 Hemi instead of a steam engine?  Sure, but from his spot in time he simply couldn't imagine it.  The physical principals are exactly the same between the two, but that doesn't mean that Watt could a V8.  The people who's names we remember are those who opened the conventions and took steps forward.  In science this would be Newton, Maxwell, Plank, Einstein and many others.  In music it might be Bach, Mozart, Beethoven, Berlioz.  But these are just the big steps, everybody involved is trying to make what progress they can.  In this way, I contend, music and science take the same evolutionary trajectory, and that is why we prefer more modern composers for the most part.  And when we reach back in time, we make sure that we select the people who made major advancements, not just practitioners.

The only problem with my hypothesis is that I have no idea where Justin Bieber fits in... oh well.
trek_29er
(western carolina)
Posted: May 17, 2013 - 05:52 

don't know why,but, this kinda makes me reach for 7 Horse..low fuel drug run
Grammarcop
(A mitten surrounded by water)
Posted: May 17, 2013 - 05:49 

I hear strains of Rachmaninoff's Second Piano Concerto.
unclehud
(now 50 feet above the planet in Boston)
Posted: Mar 15, 2013 - 11:46 

You know, I just don't get Debussy.  No reapeting motifs, blatant disregard for accepted forms ... kind of like just a bunch of plinking piano notes with crescendos and et cetera.

Give me some serious Russian/Austrian power with a full orchestra, though, and I be dancin'.
Proclivities
(Paris of the Piedmont)
Posted: Mar 15, 2013 - 11:46 

 kcar wrote:


How did we get from Debussy and Impressionism to "Deliverance"? 
 
That's a natural progression, perhaps with The Hindenburg Disaster coming after Impressionism.
meauclaire
(AZ....the land of misfits)
Posted: Mar 15, 2013 - 11:45 

ZZZZZZZZZZZZZZZZZZ
gypsyman
(just passing through....)
Posted: Dec 11, 2012 - 09:37 

 fredriley wrote:

Because the more modern the classical music, the less constrained by musical conventions it is, though that's a very broad brush generalization. So Mozart had to compose within very strict conventions, as did Beethoven but less so. Move on to Shostakovitch, say, and conventions went out of the window. Arguably, the less need to conform to conventions, the greater the room for expressionism, though many take the view that composing within conventions (12-bar blues, say) allows you to be more expressive. For sure, Beethoven was pretty damn expressive. I hold no view on that being pretty much an ignoramus in such matters.

19th and 20th century classical music is highly expressive, though how much that's down to lack of convention, and how much down to artistic fashions (IIRC Debussy was contemporary with Impressionists in painting, though please correct me if I'm wrong), is difficult to say.

 
Once again, fredriley pretty much nails it. You forgot Dadaism, though.

fyt
Pedro1874
(Newton-le-Willows, England)
Posted: Dec 11, 2012 - 09:36 

 Ahnyer_Keester wrote:
This station takes the term "eclectic" seriously! And thank you for doing it.
 
Hear hear! {#Good-vibes}
ptooey
Posted: Dec 11, 2012 - 09:36 

Pluie!  Pluie! Pluie!
Stingray
Posted: Oct 09, 2012 - 16:04 

http://www.notablebiographies.com/images/uewb_04_img0223.jpg?dur=441

 

GENIUS!


Carl
(The Summit City)
Posted: Jun 19, 2012 - 18:24 

 bindi wrote:
OK, somebody with some musical knowledge - explain to me why I would naturally like Debussy way more than Bach, Beethoven, etc. Something about it seems more alive and interesting.
 
Just a WAG, but maybe for the same reason you prefer Monet paintings over Botticelli, Caravaggio, van Eyck, Bruegel, and so on. Monet's are more alive and interesting to modern tastes.
jagdriver
(Just a nod and a wink south of Paradise)
Posted: Jun 05, 2012 - 10:21 

 fredriley wrote:

Because the more modern the classical music, the less constrained by musical conventions it is, though that's a very broad brush generalisation. So Mozart had to compose within very strict conventions, as did Beethoven but less so. Move on to Shostakovich, say, and conventions went out of the window. Arguably, the less need to conform to conventions, the greater the room for expressionism, though many take the view that composing within conventions (12-bar blues, say) allows you to be more expressive. For sure, Beethoven was pretty damn expressive. I hold no view on that being pretty much an ignoramus in such matters.

19th and 20th century classical music is highly expressive, though how much that's down to lack of convention, and how much down to artistic fashions (IIRC Debussy was contemporary with Impressionists in painting, though please correct me if I'm wrong), is difficult to say

 
It sure is easy to tell (well, usually) when music by a Russian composer is being played!

And for the record, Mozart did play too many notes! His music reminds me of certain electric guitarists who think it's all about how many notes they can play as quickly as possible, without paying any attention to tone and melody.

 
Ahnyer_Keester
(Chicago Il)
Posted: May 04, 2012 - 16:00 

This station takes the term "eclectic" seriously! And thank you for doing it.
kcar
Posted: Apr 02, 2012 - 23:13 

 sirdroseph wrote:


You speak purdy, I bet youen gota purdy mouth, boy!
 

How did we get from Debussy and Impressionism to "Deliverance"? 
fredriley
(Nottingham, UK)
Posted: Mar 02, 2012 - 06:33 

 bindi wrote:
OK, somebody with some musical knowledge - explain to me why I would naturally like Debussy way more than Bach, Beethoven, etc. Something about it seems more alive and interesting.

 
Because the more modern the classical music, the less constrained by musical conventions it is, though that's a very broad brush generalisation. So Mozart had to compose within very strict conventions, as did Beethoven but less so. Move on to Shostakovich, say, and conventions went out of the window. Arguably, the less need to conform to conventions, the greater the room for expressionism, though many take the view that composing within conventions (12-bar blues, say) allows you to be more expressive. For sure, Beethoven was pretty damn expressive. I hold no view on that being pretty much an ignoramus in such matters.

19th and 20th century classical music is highly expressive, though how much that's down to lack of convention, and how much down to artistic fashions (IIRC Debussy was contemporary with Impressionists in painting, though please correct me if I'm wrong), is difficult to say.


planet_lizard
(Sagittarius Dwarf Elliptical Galaxy)
Posted: Jan 30, 2012 - 14:15 

 bindi wrote:
OK, somebody with some musical knowledge - explain to me why I would naturally like Debussy way more than Bach, Beethoven, etc. Something about it seems more alive and interesting.
 
Probably because it is more recent - this is c. 100yrs old and Bach and Beethoven both >200 yrs old and therefore it sounds perhaps slightly less conventional and music had come a long way in that short space of time.

bindi
(North Carolina)
Posted: Dec 29, 2011 - 19:52 

OK, somebody with some musical knowledge - explain to me why I would naturally like Debussy way more than Bach, Beethoven, etc. Something about it seems more alive and interesting.
kurtster
(Back in Ohiya, for now ...)
Posted: Dec 29, 2011 - 19:50 

Nice, but going through the Gabriel to get here wasn't.
(former member)
(hotel in Las Vegas)
Posted: Dec 29, 2011 - 19:49 



Debussy was soooo fast, fast on the draw...  love it...
 


MilSF1
(Arkadelphia, AR)
Posted: Oct 27, 2011 - 12:15 

 Deadwing wrote:
Learn to discern.
 
Perhaps you should take your own advice. Not all classical music needs to be largo to be beautiful. The piece is "Gardens in the Rain". I think this piece it quite evocative of that image. One could argue that, programmatically, it's a bit literal, but to dismiss as "pointless" points to the lack of a critical ear.
sirdroseph
(Yes)
Posted: Oct 27, 2011 - 12:08 

 Deadwing wrote:
Claire de Lune is a gorgeous, lush, moving composition.

This is pointless self gloryifying piano diddling.

Learn to discern.
 

You speak purdy, I bet youen gota purdy mouth, boy!
hippiechick
(topsy turvy land)
Posted: Oct 27, 2011 - 12:08 

Did you know that Debussy's music was panned when it first came out? It was so radical when it was first heard that many thought it to be unlistenable.
sirdroseph
(Yes)
Posted: Oct 27, 2011 - 12:07 

Awesome!
Deadwing
(Cincinnati OH)
Posted: Sep 25, 2011 - 19:46 

Claire de Lune is a gorgeous, lush, moving composition.

This is pointless self gloryifying piano diddling.

Learn to discern.
Skaterella
(jrzy)
Posted: Sep 25, 2011 - 19:41 

Debussy writes beautiful harp music.
Ahnyer_Keester
(Chicago Il)
Posted: Apr 21, 2011 - 07:51 

A great follow up to this would be something from The Art of Noise's Seduction of Claude Debuessy!!
Cynaera
(South of Neanderthal)
Posted: Mar 20, 2011 - 19:29 

This is almost a polar-opposite composition from "Claire de Lune" - just shows how versatile Debussy was... Such beautiful music...
th0maz
Posted: Jan 17, 2011 - 05:14 

Hm.  Seems like the dude is trying to "expand" our musical horizons.  First Vivaldi, now Debussy.  I haven't owned a keyboard since I left my parents' house.  Debussy was a favorite of my instructor when I was in college.  Ah, memories...

Carl
(The Summit City)
Posted: Dec 16, 2010 - 19:18 

All-time Favorite Composer: Claude Debussy
All-time Favorite Painter: Claude Monet
All-time Favorite DJ: Bill Goldsmith (and his faithful sidekick, Rebecca)

gdignard
(North of the 49th)
Posted: Oct 14, 2010 - 09:23 

 Zeito wrote:
Sounds pretty good for a 107 year old recording. 
 
I believe the wax cylinders were remastered a few years back

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