In the evening we came back
Into our yellow room,
For a moment taken aback
To find the light left on,
Falling on silent flowers,
Table, book, empty chair
While we had gone elsewhere,
Had been away for hours.
When we came home together
We found the inside weather.
All of our love unended
The quiet light demanded,
And we gave, in a look
At yellow walls and open book.
The deepest world we share
and do not talk about
But have to have, was there,
And by that light found out.
MARY SARTON
In the evening we came back
Into our yellow room,
For a moment taken aback
To find the light left on,
Falling on silent flowers,
Table, book, empty chair
While we had gone elsewhere,
Had been away for hours.
When we came home together
We found the inside weather.
All of our love unended
The quiet light demanded,
And we gave, in a look
At yellow walls and open book.
The deepest world we share
and do not talk about
But have to have, was there,
And by that light found out.
MARY SARTON
For whatever is let go
there's a taker.
The living discovers itself
where no preparation
was made for it,
where its only privilege
is to live if it can.
The window flies from the dark
of the subway mouth
into the sunlight
stained with the green
of the spring weeds
that crowd the improbable
black earth
of the embankment,
their stout leaves
like the tongues and bodies
of a herd, feeding
on the new heat,
drinking at the seepage
of the stones:
the freehold of life,
triumphant
even in the waste
of those who possess it.
But it is itself the possessor,
we know at last,
seeing it send out weeds
to take back
whatever is left.
Proprietor, pasturing foliage
on the rubble,
making use
of the useless—a beauty
we have less than not
deserved.
WENDELL BERRY
When I was five and
undifferentiated energy, animal spirits,
pent-up desire for the unknown built in me
a head of steam I had
no other way to let off, I ran
at top speed back and forth
end to end of the drawingroom,
bay to French window, shouting—
roaring, really—slamming
deliberately into the rosewood
desk at one end, the shaken
window-frames at the other, till the fit
wore out or some grownup stopped me.
But when I was six I found better means:
on its merry gallows
of dark-green wood my swing, new-built,
awaited my pleasure, I rushed
out to it, pulled the seat
all the way back to get a good start, and
vigorously pumped it up to the highest arc:
my legs were oars, I was rowing a boat in air—
and then, then from the furthest
forward swing of the ropes
I let go and flew!
At large in the unsustaining air,
flew clear over the lawn across
the breadth of the garden
and fell, Icarian, dazed,
among hollyhocks, snapdragons, love-in-a-mist,
and stood up uninjured, ready
to swing and fly over and over.
The need passed as I grew;
the mind took over, devising
paths for that force in me, and the body curled up,
sedentary, glad to be quiet and read and read,
save once in a while, when it demanded
to leap about or to whirl—or later still
to walk swiftly in wind and rain
long and far and into the dusk,
wanting some absolute, some exhaustion.
DENISE LEVERTOV
I don't recall pain, or joy, only the blue dress
I wore, and the door open to the sea,
and the liquid sun across the floor beside the bed,
and our crooning sense of having climbed Everest,
undaunted, undeceived.
I didn't know who I was or who you were,
or even what we hoped for, in that slow, rushed,
soft, harsh, pretend, real, world. Even now,
I don't know how to devour love like a golden apple
stolen from a teacher who gives too many tests.
So tell me what you remember,
and who you think we were,
and I will nod and agree, though I doubt it happened—
beyond the sea, the sun, the open door,
the blue dress, and the dream.
FREYA MANFRED
Craft your own original message to Mars! Messages, which must be in the form of a haiku poem, will be voted on by the public; the top three most popular entries will be sent to Mars onboard the MAVEN spacecraft and will be prominently displayed on the MAVEN website. http://lasp.colorado.edu/maven/goingtomars/send-your-name/
I love the accomplishments of trees,
How they try to restrain great storms
And pacify the very worms that eat them.
Even their deaths seem to be considered.
I fear for trees, loving them so much.
I am nervous about each scar on bark,
Each leaf that browns. I want to
Lie in their crotches and sigh,
Whisper of sun and rains to come.
Sometimes on summer evenings I step
Out of my house to look at trees
Propping darkness up to the silence.
When I die I want to slant up
Through those trunks so slowly
I will see each rib of bark, each whorl;
Up through the canopy, the subtle veins
And lobes touching me with final affection;
Then to hover above and look down
One last time on the rich upliftings,
The circle that loves the sun and moon,
To see at last what held the darkness up.
PAUL ZIMMER
You need a reason, any reason—skiing, a job in movies,
the Golden Gate Bridge.
Take your reason and drive west, past the Rockies.
When you're bored with bare hills, dry flats, and distance,
stop anywhere.
Forget where you thought you were going.
Rattle through the beer cans in the ditch.
If there's a fence, try your luck—they don't stop cows.
Follow the first hawk you see, and when the sagebrush
trips you, take a good look before you get up.
The desert gets by without government.
Crush juniper berries, breathe the smell, smear your face.
When you wonder why you're here, yell as loud
as you can and don't look behind.
Walk. Your feet are learning.
Admit you're afraid of the dark.
Soak the warmth from scabrock, cheek to lichen.
The wind isn't talking to you. Listen anyway.
Let the cries of coyotes light a fire in your heart.
Remember the terrible song of stars—you knew it once,
before you were born.
Tell a story about why the sun comes back.
Sit still until the itches give up, lizards ignore you,
a mule deer holds you in her eyes.
Explain yourself over and over. Forget it all
when a scrub jay shrieks.
Imagine sun, sky, and wind the same, over your
scattered white bones.
JOHN DANIEL
...
CONNIE WANEK
The gray owl had seen us and had fled
but not far. We followed noiselessly,
driving him from pine to pine:
I will not let thee go except thou bless me.
He flew as though it gave him no pleasure,
forcing himself from the bough,
falling until his wings caught him:
they had to stroke hard, like heavy oars.
He must have just eaten
something that had, itself, just eaten.
Finally he crossed the swamp and vanished
as into a new day, hours before us,
and we stood near the chest-high reeds,
our feet sinking, and felt
we'd been dropped suddenly from midair
back into our lives.
CONNIE WANEK
There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they've been set down—
and gravity, scientists say, is weak.
And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There's a name for it on horses,
when it comes back darker and raised: proud flesh,
as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest—
And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.
Jane Hirschfield
From time to time our love is like a sail
and when the sail begins to alternate
from tack to tack, it's like a swallowtail
and when the swallow flies it's like a coat;
and if the coat is yours, it has a tear
like a wide mouth and when the mouth begins
to draw the wind, it's like a trumpeter
and when the trumpet blows, it blows like millions...
and this, my love, when millions come and go
beyond the need of us, is like a trick;
and when the trick begins, it's like a toe
tip-toeing on a rope, which is like luck;
and when the luck begins, it's like a wedding,
which is like love, which is like everything.
ALICE OSWALD
Awake, alert,
Suddenly serious in love,
You're a surprise.
I've known you long enough —
Now I can hardly meet your eyes.
It's not that I'm
Embarrassed or ashamed.
You've changed the rules
The way I'd hoped they'd change Before I thought: hopes are for fools.
Let me walk with you.
I've got the newspapers to fetch.
I think you know
I think you have the edge
But I feel cheerful even so.
That's why I laughed.
That's why I went and kicked that stone.
I'm serious!
That's why I cartwheeled home.
This should mean something. Yes, it does.
JAMES FENTON
