![]() Quadrophenia (1973) [ larger cover art ] |
{{instrumental}}
| Hodgie (Dover, NH) | Posted: Jun 13, 2013 - 15:26 Not everyone likes The Who just like not everyone thinks a Cadilac is an iconic car. Without a lick of proof, I submit liking The Who makes life sweeter. | ||||
| unclehud (now 50 feet above the planet in Boston) | Posted: May 28, 2013 - 09:49 casey1024 wrote: Just for the naysayers, upped this from a 9 to a 10. Geesh. Me, too. | ||||
| CopyrightX (http://en.wikipedia.org/wiki/User:CopyrightX) | Posted: Mar 26, 2013 - 13:39 t00lur wrote: I like what Tarantino once said about the Who What did he say? | ||||
| casey1024 (Here and Now) | Posted: Mar 26, 2013 - 13:38 Just for the naysayers, upped this from a 9 to a 10. Geesh. | ||||
| DearDM (Boston) | Posted: Mar 26, 2013 - 13:37 I can get 3 or 4 PSD's out of this one! | ||||
| t00lur (happy petergabriel free land) | Posted: Feb 23, 2013 - 02:58 I like what Tarantino once said about the Who | ||||
| le_colonel | Posted: Feb 23, 2013 - 02:49 3. I'm outta here for a while... The Who, Flaming Lips, Ray LaMontagne... | ||||
| unclehud (now 50 feet above the planet in Boston) | Posted: Feb 07, 2013 - 18:41 annie_fannie wrote: Does this song ever end? Hope not. | ||||
| oldfart48 (boulder creek ca.) | Posted: Jan 22, 2013 - 19:25 symthy wrote: There is no known way in which I could agree more. Turgid self indulgence which had its place - a long, long, long time ago..... At least I get to PSD a half dozen other great tracks while this drags on! the word is reign, not rain, grow a brain. and it's o'er not over. | ||||
| oldfart48 (boulder creek ca.) | Posted: Jan 22, 2013 - 19:23 blackjackshellac wrote: Absolutely true. But I also have come to really enjoy the random play-list experience on my digital music player while riding into the city on the bike path. And sometimes you get amazing mixes out of that randomness that are almost as good as those on RP. Yesterday I was cruising along listening to some tune from the 30s, followed by a piece from Stravinsky's Sacre du printemps, and then a tune from Quadrophenia ... can't recall the name but it's the one where he's "out of his brain on the train" 5:15 maybe? Anyway, I like that I got to experience the vinyl days of rock opera in its heyday, but this is a pretty damn cool age too. The only thing I'll say about kids these days is that our parents, and their parents before them said the same thing about the kids these days. My grandfather warned me about that when I was a teenager. | ||||
| unclehud (now 50 feet above the planet in Boston) | Posted: Jan 22, 2013 - 19:23 Some folks just don't get it, you know? Whew, God, I need a drink. | ||||
| symthy (Oz) | Posted: Jan 22, 2013 - 19:21 black321 wrote: midreaming wrote: oh geeyod... everything -these- days says so little? what does this over indulgent self absorbed dead weight for a song have to say? that only love can make it rain? gimme a ef'n break. drop this rock in a deep well and the sound it makes hitting the bottom will be more interesting and serve a better public good. It's called brevity. There is no known way in which I could agree more. Turgid self indulgence which had its place - a long, long, long time ago..... At least I get to PSD a half dozen other great tracks while this drags on! | ||||
| black321 (A sunset in the desert) | Posted: Jan 07, 2013 - 10:52 midreaming wrote: oh geeyod... everything -these- days says so little? what does this over indulgent self absorbed dead weight for a song have to say? that only love can make it rain? gimme a ef'n break. drop this rock in a deep well and the sound it makes hitting the bottom will be more interesting and serve a better public good. It's called brevity. "everything these days" is a bit over the top, but I don't think it is wrong to critique the fact that there is a dearth of "epic" tracks from today's pop/rock musicians. Musicianship has taken a backseat to "brevity," which I for one find disappointing. | ||||
| ottojschlosser (Beaverton OR (no, really, that's its name)) | Posted: Jan 07, 2013 - 10:29 This is how to get Monday rolling — triplet fills from Keith Moon! | ||||
| musicology | Posted: Dec 22, 2012 - 11:00 40 years later and i still love listening to it. truly epic. | ||||
| midreaming | Posted: Nov 05, 2012 - 16:08 sajitjacob wrote: There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? oh geeyod... everything -these- days says so little? what does this over indulgent self absorbed dead weight for a song have to say? that only love can make it rain? gimme a ef'n break. drop this rock in a deep well and the sound it makes hitting the bottom will be more interesting and serve a better public good. It's called brevity. | ||||
| lewie221 (Silicon Valley) | Posted: Nov 05, 2012 - 16:03 sajitjacob wrote: There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? At least we have Porcupine Tree (first among others) to keep the epic fires alight. | ||||
| kingart (Brooklyn NY) | Posted: Oct 20, 2012 - 17:24 annie_fannie wrote: Does this song ever end? It's called ROCK OPERA, and from one of the greatest bands in the history of the rock genre. If you prefer shorter songs by lesser artists, it's called AM RADIO. | ||||
| max_p | Posted: Oct 05, 2012 - 07:08 sajitjacob wrote: There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? analog vs digital, old school vs new kids these days ... | ||||
| handyrae (Zero Point Field) | Posted: Oct 05, 2012 - 07:05 annie_fannie wrote: Does this song ever end? Yes, but not a second too soon. | ||||
| rickhoran (Eastern PA) | Posted: Oct 05, 2012 - 06:56 sajitjacob wrote: There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? because people have an attention span similar to that of a gnat. | ||||
| blackjackshellac (Montreal) | Posted: Sep 19, 2012 - 04:42 sajitjacob wrote: There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? Absolutely true. But I also have come to really enjoy the random play-list experience on my digital music player while riding into the city on the bike path. And sometimes you get amazing mixes out of that randomness that are almost as good as those on RP. Yesterday I was cruising along listening to some tune from the 30s, followed by a piece from Stravinsky's Sacre du printemps, and then a tune from Quadrophenia ... can't recall the name but it's the one where he's "out of his brain on the train" 5:15 maybe? Anyway, I like that I got to experience the vinyl days of rock opera in its heyday, but this is a pretty damn cool age too. The only thing I'll say about kids these days is that our parents, and their parents before them said the same thing about the kids these days. My grandfather warned me about that when I was a teenager. | ||||
| Grammarcop (Proud owner of the smallest sailboat in the harbor) | Posted: Sep 19, 2012 - 04:39 sajitjacob wrote: There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? You're my new best friend. | ||||
| sajitjacob (Christchurch NZ) | Posted: Sep 03, 2012 - 18:03 There was a time when rock music was allowed to be epic. Albums were vinyl and there was an intermission and sometimes a double. Listening was an immersive experience that required your attention to be focused. Stories were told, you might, laugh, cry, think. They echoed symphonies and that was normal. Why does everything these days have to be so short, and say so little? Something to do with ever decreasing attention spans? | ||||
| annie_fannie (Iowa) | Posted: Sep 03, 2012 - 17:57 Does this song ever end? | ||||
| ce (The Netherlands) | Posted: Aug 03, 2012 - 07:02 mirland wrote: Pretentious c*** . Well, maybe, but at least this must be some of the very best, most pretentious, and most influential, pretentious bombastic c*** EVER in pop/rock music. I dare say even Pink Floyd could learn from this. Rock on! | ||||
| Demian (No. VA) | Posted: Aug 03, 2012 - 07:00 Can't hit the PSD button fast enough on that. | ||||
| vanmas (Leiden, Netherlands) | Posted: Jul 18, 2012 - 06:32 Weird... And very irritating! | ||||
| idiot_wind | Posted: Jul 18, 2012 - 06:31 Any song with Keith Moon drumming is freaking good. The man must of had a third arm. There's no way he's doing all that with just two. | ||||
| Scientist79 | Posted: Jul 18, 2012 - 06:31 Rooooooooooooooooooooooooooock oooooooooooooooooooooooon.....thanks for the great song from a great ablum | ||||
| dwlangham (Nowhere to be found) | Posted: Jul 18, 2012 - 06:30 Some work invites sharp opinions. I dunno. I like it. | ||||
| devilturtle | Posted: Jul 02, 2012 - 20:28
michaelgmitchell wrote: Okay. We get it. They were good. About a hundred years ago. There are so many nattering nabobs of negativism on these pages that are of no use! But this was so hilarious - it has to be carried forward! Thanks Poacher! | ||||
| tonypf (Honolulu) | Posted: Jul 02, 2012 - 20:22 annarborkm wrote: Keith Moon was incredible. Yah, it's the drumming that keeps this from sounding totally bloated, and I say that as a Who/Townsend fan. | ||||
| finsterboy (Brooklyn) | Posted: Jul 02, 2012 - 20:19 Is it me? For a moment? | ||||
| Lumpy13 | Posted: Apr 30, 2012 - 05:42 fredriley wrote: Nope, this has remained un-muted, because it's a ho-hum instrumental without the dire warbling of Townsend and Daltry - in one ear and out the other. As for your prize, get yourself photographed in that alley with a grotty parka and maybe you'll be in with a shout :) The 'casio-style' dee-de-dee-dee in the background is just so reminiscent of the Stonehenge scene in Spinal Tap :o) Ah, right, now the mute hits - that blasted Love Reign O'er Me is next. Love the rain, shame about the pretentious noodling and warbling... ![]() | ||||
| scooterdog (Twin Falls, Idaho) | Posted: Sep 21, 2011 - 09:01 http://www.thewho.com/index.php?modu...ws_item_id=501 "Quadrophenia is the Who album I am most proud of" - Pete Townshend A stunning ‘Director's Cut' of the landmark 1973 album produced, authorised and overseen by Pete Townshend. Coming to you in 5.1 Surround After the 1971 album ‘Who's Next', Pete Townshend returned to the ‘rock-opera' concept, so dramatically realised through ‘Tommy', with another ambitious double-album masterpiece. Based around the story of Jimmy - QUADROPHENIA tells the tale of a young mod and his struggle to come of age in the mid-1960s.The story also takes its influence from the band's early fans from the original mod era, and its themes of teenage angst and disaffection still resonate strongly today. The project was intended to reflect the four characters of The Who and features some of Townshend's most inspired, personal song-writing - way ahead of its time in scope and purpose. This is one of the most widely recognised albums of The Who's career because of its classic depiction of mod culture, its renowned imagery and the magnificent music and powerful performances. The album is hugely significant in popular culture, influencing many other artists, musicians and film-makers - inspiring the classic 1979 British film by Franc Roddam and the UK ‘mod revival' of the 1970s. "This 2011 revisit to The Who's 1973 Quadrophenia recording is inspired by current and continuing interest in the project," explains Townshend. "The Who performed a concert version of the piece at the Royal Albert Hall in 2010 for the Teenage Cancer Trust with excellent reviews, and the success of that event led to the prospect of a Who tour in 2012 based on the album. The last such tour was between 1996-1997." The album is scheduled for release via Universal Music Catalogue on November 14th, 2011. The box set gives a unique insight into the creation of this landmark album and will feature a re-master of the original double album, Pete Townshend's previously unheard demos including songs that didn't make it onto the original album, an exclusive eight track 5.1 sound DVD, a deluxe hard-back book, previously unseen personal notes, photographs, memorabilia and other exclusive material that will be announced over the coming months. ‘Quadrophenia: The Director's Cut' will be the definitive version of the album and a must for any self-respecting fan of The Who and beyond. | ||||
| Poacher (Brighton, UK) | Posted: Sep 21, 2011 - 09:00 Poacher wrote: Nahh. Fred has already muted. However. . . I could walk to where this cover shot was taken in 10 mins. Do I win a prize? fredriley wrote: Nope, this has remained un-muted, because it's a ho-hum instrumental without the dire warbling of Townsend and Daltry - in one ear and out the other. As for your prize, get yourself photographed in that alley with a grotty parka and maybe you'll be in with a shout :) The 'casio-style' dee-de-dee-dee in the background is just so reminiscent of the Stonehenge scene in Spinal Tap :o) Ah, right, now the mute hits - that blasted Love Reign O'er Me is next. Love the rain, shame about the pretentious noodling and warbling... I fear my original grotty parka is no longer with me - so that's that then. . . I lose. Life is hard sometimes. | ||||
| calypsus_1 | Posted: Sep 05, 2011 - 15:15 R. Daltrey, P. Townshend and J. Entwistle in interview discuss Keith Moon, his playing and his influence on the Band "The Who" "The tracks of Keith and Roger on "Behind Blue Eyes", sounds great even without guitar and bass." SeattleLA "It's terrible that he died TRYING to get his life back to normal. It's so sad." TheDirectorofFoo | ||||
| kcar | Posted: Sep 05, 2011 - 13:33 fredriley wrote: Nope, this has remained un-muted, because it's a ho-hum instrumental without the dire warbling of Townsend and Daltry - in one ear and out the other. As for your prize, get yourself photographed in that alley with a grotty parka and maybe you'll be in with a shout :) The 'casio-style' dee-de-dee-dee in the background is just so reminiscent of the Stonehenge scene in Spinal Tap :o) Ah, right, now the mute hits - that blasted Love Reign O'er Me is next. Love the rain, shame about the pretentious noodling and warbling... The synth work *does* sound a bit shrill and flat, but that was probably down to the limitations of the (Moog?) synthesizer technology at the time. IIRC Pete Townsend was regarded as being extraordinarily daring for using Moogs in 1971's Who's Next. Fred, I'm sure you prefer the punk version of this song. ;-0 | ||||
| linzie | Posted: Jul 20, 2011 - 16:06 Reading the notes, I'm getting the English aren't too fond of this.....ah, what do they know? | ||||
| scooterdog (Twin Falls, Idaho) | Posted: Jul 20, 2011 - 16:03 Pete's Blog 1st June, 2011 WHAT I'M DOING EVERYDAY I am shut away in my home studio at the moment working to restore the demos of Quadrophenia. Bob Pridden is doing surround-sound mixes of selected tracks. Jon Astley is remastering the original vinyl mix, and evaluating his own 1996 remix (the one where you can properly hear Roger's astonishing vocals). I am sitting in a pile of notes, desk diaries, photos (I took a lot of my own between 1971-1973 when Quadrophenia emerged), original lyrics and writing liner notes..... http://www.thewho.com/index.php?module=blog&id=pete | ||||
| coloradojohn (Setagaya-ku, Tokyo, Japan -- 15 min. west of Shinjuku, center of the freaking Universe) | Posted: Jul 04, 2011 - 18:58 I'm with you there! I used to lay this on the old Garrard, crank up the Marantz, and play it over and over all the way through, and it'd drive Mom crazy...and I'd sing along, too — 'I've got a new job, and I'm newly born...You should see me dressed up in my uniform...I wor' ina hotel, all GILT and FLASH...Remember ta gasp when the door's been smashed!' "—What? Is that even English?" she'd say... "Bloody finest sort, Mum!" I'd say...and she'd scowl and wonder how I had found yet another way to vex her...and surely, my relationship with the parents etc. was pretty much exactly what The Who was talking about even way over yonder in the monarchy...and by God I dug that to the Nth Degree. I remember going to see this film with a couple of mates, all of us sozzed on Heineken Dark, and where they had no idea what was being said, my familiarity with the album saw me spewing the slang around like the movie gang in no time! O, Mighty Spirit of Eternal Rock, Rage On, and Reign Long O'er Me! Dave_Mack wrote: Anything from Quadrophenia is welcome, but I prefer the songs with words to the instrumental bits. Of course, if you'd like to play the whole double album all the way through...I'm there. | ||||
| helgigermany (Germany) | Posted: Jun 18, 2011 - 23:41 Boring and to long! | ||||
| fredriley (Nottingham, UK) | Posted: Jun 03, 2011 - 03:19 Poacher wrote: Nahh. Fred has already muted. However. . . I could walk to where this cover shot was taken in 10 mins. Do I win a prize? Nope, this has remained un-muted, because it's a ho-hum instrumental without the dire warbling of Townsend and Daltry - in one ear and out the other. As for your prize, get yourself photographed in that alley with a grotty parka and maybe you'll be in with a shout :) The 'casio-style' dee-de-dee-dee in the background is just so reminiscent of the Stonehenge scene in Spinal Tap :o) Ah, right, now the mute hits - that blasted Love Reign O'er Me is next. Love the rain, shame about the pretentious noodling and warbling... | ||||
| Sjaaks (Horst, Netherlands) | Posted: Jun 03, 2011 - 03:18 Ow i hate this.... | ||||
| Poacher (Brighton, UK) | Posted: May 18, 2011 - 09:03 lemmoth wrote: Later Fred Nahh. Fred has already muted. However. . . I could walk to where this cover shot was taken in 10 mins. Do I win a prize? | ||||
| lemmoth (NYC) | Posted: May 18, 2011 - 09:01 Later Fred | ||||
| pomalley (Land of Lincoln) | Posted: May 02, 2011 - 13:50 The_Enemy wrote: I had this on tape and listened to it so often in college, it's burned in my brain. It's lovely stuff. hmmm.... I bet I still have that tape in a box somewhere. ditto, on my Pioneer Super Tuner .... | ||||
| Jelani (Home of the freak, land of the vague) | Posted: May 02, 2011 - 13:47 Poacher wrote: slick move! | ||||
| Lrobby99 (Wisconsin, USA) | Posted: Mar 16, 2011 - 08:19 Just impressive the guys who made Magic Bus and Happy Jack also made Quadrophenia. I'm glad for them all. | ||||

