comment "on board": specifically, does not exist. The closest thing is a "chat" giant, with allusions and commentary, instant character as part of a rolling platform, open to the entire community, style similar to "Twitter".

Review: critical analysis or building on a theme based on taste, sensitivity, acceptance or rejection based on facts (quote or external collection of information), which may or may not contain, and be assisted with external links, photos, cartoons, drawings , video, and more.

You focus on a certain point, "if we had five or 10 other people who posted?", "Or about 20 or 30 other?". This is the point. Only a very small number around the RP is "dare" to comment, interact, why? (and many of them are known among themselves)
Therefore should be more members to make it all up, it would be "icing on the cake"
Why are the remaining few thousand, I think, do not feel motivated to do this? This is what should be of concern and a goal. It is to let the opinion of a few prevail by a whole can not be conclusive; which opinion and feedback, of the other thousands of listeners about airplay? It would be interesting to know, and even then more support for RP.

Bedtime, nighty night.     I cannot escape C1's utterly lame advertisements for bands.

Robert Plant and the Band of Joy Photos from January 18, 2011 at the Thomas Wolfe Auditorium in Asheville, NC with Robert Plant, Patty Griffin, Buddy Miller, Darrell Scott, Byron House and Marco Giovino
© 2011 David Oppenheimer - Performance Impressions Concert Photography

All rights reserved


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A Lefty Frizzell song "I Want To Be With You Always". Thank you Patty Griffin. Lefty Frizzell (March 31, 1928–July 19, 1975), born William Orville Frizzell, was an American country music singer and songwriter of the 1950s, and a proponent of honky tonkmusic. Fellow Texan Roy Orbison was a devout fan of Frizzell's sound, and in 1988, as a part of The Traveling Wilburys, he chose the name "Lefty Wilbury" to honor his musical hero.

The Country-music style is not obsolete and unused genre, as some stupid and unconscious comment as seen in many opinion for the Web and mass media. Prejudices and lack of historical knowledge and traditions of genuine American songbook.

A Lefty Frizzell song "I Want To Be With You Always". It is a beautiful interpretation of the great singer Patty Griffin and Buddy Miller. Only genuine and talented artists know how to recognize the merit of other artists of the past, seeking his roots in musical motifs of inspiration and renewal. That is what prevents them from being forgotten and even ignored, and easily exchanged by "artists" recent "trumpery". Thankyou Patty. This is another reason to admire and respect you even more.

I lose my blues
Only when I'm with you
No one else can do
You're in my heart to stay

And when I'm gone
And I'm all alone
I'll still be singing this song
I want to be with you always

I'd be happy dear
If you could only be here
And always be near
Forever and a day

Then we'd travel far
To some big shining star
Just you and my guitar
And stay there sweethearts for always

I hope you feel the same
You really want my name
Well, you'll be the one who's to blame
If it works out wrong that day

'Cause my love is true
My love is only for you
And I would never be blue
If I could be with you always

Then we'd travel far
To some big shining star
Just you and my guitar
And stay there sweethearts for always


calypsus_1

"Up to the Mountain (MLK Song)" is a folk song written by Patty Griffin. The song touches upon emotions surrounding Martin Luther King, Jr.'s famous 1968 "I've Been to the Mountaintop" speech, given the day before his assassination in Memphis, Tennessee. Originally recorded by Solomon Burke in 2006 and Griffin herself in 2007.

As noted in Wikipedia: "The song has been variously described as "gospely" or "folkie spiritual". In writing about King, Griffin followed other songwriters, such as U2 with "Pride (In the Name of Love)" and "MLK", James Taylor with "Shed a Little Light", and Stevie Wonder, whose song "Happy Birthday" "

I like particularly this song, is "only" one of the best interpretations of great Patty Griffin. This song, by the dimension and significance of his words, is the size of the World. This song was later included in 2007 by Patty Griffgin on their sixth studio album "Children Running Through".

I went up to the mountain
Because you asked me to
Up over the clouds
To where the sky was blue
I could see all around me
Everywhere
I could see all around me
Everywhere

Sometimes I feel like
I've never been nothing but tired
And I'll be walking
Till the day I expire
Sometimes I lay down
No more can I do
But then I go on again
Because you ask me to

Some days I look down
Afraid I will fall
And though the sun shines
I see nothing at all
Then I hear your sweet voice, oh
Oh, come and then go, come and then go
Telling me softly
You love me so

The peaceful valley
Just over the mountain
The peaceful valley
Few come to know
I may never get there
Ever in this lifetime
But sooner or later
It's there I will go
Sooner or later

~calypsus_1

Calypsus_1,

If you are interested, I only read original posts, i.e. those written specifically for this board.  I think every once in awhile it's OK to print something interesting you see somewhere, but you make this your regular practice.   Why don't you just write your own material and post it in Spanish? I am sure some of us can step up to help translate.  This nonsense with you cluttering the board needs to stop, with all due respect.

Yours Truly,
rdo     

Returning to the theme, rather, the country is a noble music-roots, is a kind which is based on much of music which has been produced over the last 40 or 50 years.

Obviously there is an "orthodox country", which was later evolving into new approaches (country-rock, country-folk, country-blues, and later Alt-country). Likewise also as "Blues" "Folk" or "jazz" also evolved.

 It was through the country-music that the cultural identity of the U.S. established itself worldwide.

Some of the greatest music creators of the U.S., had the chords of country music to its base. Today.

 Long before smaller genera "indies", "hipeshop" "raps" do look like they were before something new. Just because something new was needed to sell.

 We have come to start accepting nonsense, imagine, the dj's as authors and creators of new musical trends.

 dj's are important as drivers of publishers and music, but they are essentially manipulative of music.

 Some, succeed by talent and training, go up the music, and it has its merits, but can not be considered true creators of music. Creators of songs.

 This is the way to say that the mass media, radio stations. magazines, tv's, should not mislead the younger generation with labels invented, but rather seek to preserve the roots of traditional music, over the baton to new generations, and not "board" in the mercantilist perspective that plagues the world of the music industry, where it seems that anything goes, since it is profitable.

From time to time I visit a "discoteque"-night-club. OMFG!, WTF is that?!! And they call music these sounds of mix-tapes'? I just only put the name of Music to musical works "with father and mother". So, is like that keeps young people distracted and sodomized with these noise-sounds of "loom-automatic-non-stop"? What's worse is that young people consent .....

Because I still remember the time when they we asked a young lady, "the girl wants to dance?"

~calypsus_1